Living on Galveston Island, TX, Robert’s passion is sharing aloha through music instruction and performance. He earned his Bachelor of Music Education degree from Ithaca College, and Master of Arts, Master of Education, and Doctor of Education degrees in music therapy, special education, and music education from Columbia University. He is
Living on Galveston Island, TX, Robert’s passion is sharing aloha through music instruction and performance. He earned his Bachelor of Music Education degree from Ithaca College, and Master of Arts, Master of Education, and Doctor of Education degrees in music therapy, special education, and music education from Columbia University. He is Professor Emeritus in the Meadows School of the Arts at SMU in Dallas. Robert’s album “Songs From a Music Therapist” can be streamed on Spotify/Apple Music. He has been interviewed about his songwriting and uses of guitar in education and therapy by Grammy, Acoustic Guitar, and Premier Guitar magazines. Robert has also published a number of guitar instruction books, including “Therapeutic Guitar” published by Alfred.
215 Postoffice St. Galveston Island, Texas 77551, United States
Background Info About Hawaii, Birthplace of the Ukulele
The Hawaiian islands were first settled as early as 400 AD by Polynesians traveling long distances by water. British explorer Captain James Cook's name for the Hawaiian Islands, the Sandwich Islands, was widely accepted and commonly used by foreigners and foreign governments for well over fifty years after his arrival on January 18, 1778. Cook named the islands for his patron, John Montagu, the Fourth Earl of Sandwich. On a tasty side note, the origin of the word 'sandwich' for an item of food may have originated from a story about John Montagu asking for a piece of meat between two pieces of bread. He didn't really 'invent' the sandwich but he may have made it popular. Back to our story.
A great warrior, diplomat and leader, King Kamehameha I united the Hawaiian Islands into one royal kingdom in 1810 after years of conflict. Hawaiian legend prophesied that a light in the sky with feathers like a bird would signal the birth of a great chief. Historians believe Kamehameha was born in 1758, the year Halley’s comet passed over Hawaii. On October 8, 1840, Hawaii had its first constitution, and a significant change was made regarding the name. The name Hawaiian Islands is repeated three times in the first constitution and the name Sandwich Islands never again appears in official documents. So, before it became the 50th U.S. state in August of 1959, it was a unified kingdom, next an independent republic, and then a US territory.
Spellings and Pronunciation of Hawaii and Ukulele
Hawaii - Historical spellings of Hawaii often include the punctuation mark called an 'okina (e.g. Hawai'i), which is also used by some ukulele manufacturers. The 'okina is a phonemic glottal stop in many Polynesian languages and is still used in pronunciation by many Hawaiian people.I have the more common and contemporary spelling of Hawaii/Hawaiian without the 'okina. This is how it is spelled in the Act to Provide for the Admission of the State of Hawaii into the Union of 1959. For pronunciation, Hawaiians may pronounce the w as a v.
Ukulele - Occasionally you will see it spelled 'ukulele, and this spelling is also used by some Hawaiian based manufacturers such as Kanile’a 'Ukulele. I prefer to the use the more common spelling of ukulele without the 'okina. This is the spelling used by many ukulele publications and sources (e.g. Ukulele Magazine). It is most accurately pronounced "oo-koo-le-le” or “oo-koo-leh-leh” in Hawaiian. I prefer that pronunciation and recommend not using the oft-heard Americanization “yoo-ka-lay-lee”. When using a spoken abbreviation, I suggest saying “ook” and not “yuke”.
Origins and Rising Popularity from 1879 to Today
The ukulele came into existence as a hybrid outgrowth of several European fretted folk instruments. These included the four-string Portuguese braguinha, also known as the machête or the machête de Braga. This and similar folk instruments sailed from the Portuguese island of Madeira with indentured emigrants traveling to Hawaii in 1879 to work in the sugar cane plantations. The emigrants played the instruments during the long sea voyage for entertainment and once ashore in celebration of a successful crossing.
Amongst the Portuguese emigrants were several woodworkers, including Manuel Nunes, Jose do Espírito Santo, and Augusto Dias. After completing their indentured time working in the sugar cane plantations, all three started building instruments (including the machête) in Honolulu. They combined elements of the machête and other popular Portuguese folk instruments such as the five-stringed rajāo and four-stringed cavaquinho. These woodworkers also used the available native Hawaiian woods such as koa, and gut strings as opposed to metal ones used on the Portuguese instruments. Finally, they utilized the tuning of the top four of the five strings of the rajāo. The earliest ukuleles were similar in size to what we would today call a soprano ukulele. This was the approximate size and scale length of the machête.
The rapid acceptance of the ukulele in Hawaii was due in part to the patronage of the royal family. King David Kalakaua, who reigned from early 1874 until his death in early 1891, was a composer and often played his ukulele in public. This helped to make the instrument fashionable. His brother Prince Leleiohoku, and sisters Princess Likelike and the future Queen Lili’uokalani all played ukulele.
The word ukulele itself has several possible origins. One is that it is a compound with two parts, being “uku” (Hawaiian for flea) and “lele” (Hawaiian for jumping). Another possible origin has been accredited to Queen Lili‘uokalani, who ruled Hawaii between January 1891 and 1893. She used a more poetic version of the term “uku” and interpreted the instrument as a gift from afar. A third theory postulates that another definition of “uku” is small, and this word may have been combined with that of Hawaiian’s previous folk instrument of choice, the ukeke (sometimes referred to as a mouth bow).
By the early 20th century, ukuleles were being commercially produced in growing numbers in Honolulu. The popularity of the ukulele also flourished on the mainland U.S. following the Panama-Pacific International Exposition, held in San Francisco in 1915. There at the Hawaiian Pavilion over the course of 10 months, a Hawaiian quintet featuring ukuleles played to hundreds of thousands of attendees. Following that exposition, ukuleles were exported to the mainland en masse, and ukulele manufacturing also began in earnest. The ukulele manufacturer Kamaka began production in Honolulu in 1916, and is still family owned and operated.
Since that time the ukulele range has grown to many instruments of varying sizes, shapes, features, and string configurations. The instrument has experienced various waves of popularity, and has been featured in popular music for well over a century. The instrument became popular in the early recording and film industries, as well as sheet music publishing during the rise of Tin Pan Alley in New York City. These song writers and music publishers dominated the popular music scene in the late 19th century and early 20th century. Popular Hawaiian-themed and ukulele-centered songs included My Honolulu Ukulele Baby, I Can Hear the Ukuleles Calling Me, and many others.
The instrument maintained popularity all the through the Great Depression, as ukuleles were affordable. For example, by the mid 1930s the Harmony Company, which was then the largest manufacturer of stringed instruments in the U.S., was selling dozens of different lines of ukuleles. During World War II, troops took ukuleles with them overseas for leisure and entertainment, and the US War Department had ukulele kits shipped to Allied bases in war zones. These included instruments, simple instructions on how to play, and chord charts for easy popular and folk songs.There was a colorful cowboy ukulele fad during the 1940s and 1950s when western films and later TV shows were in vogue. The ukulele reached a peak of popularity in the 1950s to early 1960s on TV and in movies ranging from westerns to Hawaii-themed films. Arthur Godfrey strummed the uke in a Hawaiian shirt in his TV series Arthur Godfrey and His Ukulele, Bing Crosby crooned and plucked one, and Elvis Presley played ukulele in his hit film Blue Hawaii. In 1968, Tiny Tim’s rendition of the 1929 song Tiptoe Through the Tulips was a huge hit. A year later, B.J. Thomas's song Raindrops Keep Fallin' on My Head was featured in the film Butch Cassidy and the Sundance Kid, which earned an Oscar for song of the year.
More contemporary examples abound. For example, Hawaiian performer Israel Kamakawiwo’ole’s (commonly known as Bruddah Iz, or simply Iz) adapted version of Somewhere Over The Rainbow has been described as one of the most popular songs of all time for ukulele. Train’s 2009 hit Hey Soul Sister features and begins with a tenor ukulele. Actor Dwayne (The Rock) Johnson strummed and sang the classic What a Wonderful World in the 2012 movie Journey 2: The Mysterious Island. Australian James Gabriel Keogh, better known professionally as Vance Joy, released his ukulele-based indie-folk rock hit Riptide on his 2013 debut recording. In 2015, Pearl Jam front-man Eddie Vedder won a Grammy with his album titled Ukulele Songs, and in 2016, the TV show America’s Got Talent contest was won by then 12-year-old singer-songwriter Grace Vanderwaal, who accompanied herself on ukulele. Ukulele sales have continued to increase in recent years, and according to a 2021 NAMM report, show no sign of slowing. As proclaimed by Jähnichen (2017), “The history of the ukulele is today”.
Aloha refers to a spirit of love, connectedness, and sharing joy. It serves as a greeting or welcome, as well as a farewell or goodbye. Another use is as an expression of love and affection. Aloha has been described as a way of life in Hawaiian culture, and an emphasis in the community is on spreading the aloha spirit. The word itself can be broken into two parts, “alo” meaning “presence” or “share”, and “ha” describing “breath or essence of life”. The spirit of aloha is so important that a state statute requires that citizens and government officials must conduct themselves with aloha. In Hawaiian culture, the ukulele is central to sharing aloha. According to Ukulele Project Hawaii, all schools teach ukulele in the 4thgrade, and almost all homes have a ukulele. The ukulele is featured at ohana (family) gatherings, church, and many community events.
About Written and Spoken Hawaiian
The Hawaiian Islands were first settled as early as 400 C.E., when Polynesians from the Marquesas Islands, 2000 miles away, traveled to Hawaii's Big Island in canoes. The first language spoken in Hawaii was the closely-related Polynesian language Marquesan. After other Polynesians began to arrive in Hawaii, the Hawaiian language began to develop into its modern form. Eventually, the language became ‘Ōlelo Hawai’i, the Hawaiian Language. The varieties spoken on each island differed slightly from each other, and it was not until the Hawaiian alphabet was developed that the language became standardized across the islands.
Before Captain Cook's arrival in Hawaii in 1778, Hawaiian was strictly an oral language. Cook and his men recorded the Hawaiian language for the first time in 1778. When the first missionaries arrived in Hawaii in 1820, they converted the oral Hawaiian language to a written language so that they were able to convey the messages of the Bible to the Hawaiian people. By 1826, the missionaries had created a Hawaiian alphabet. King Kamehameha III established the first Hawaiian-language constitution in 1839 and 1840.
Pronunciation
Pronunciation rules have few exceptions, and the alphabet has only one symbol for each sound. Hawaiian uses only 13 letters (including the ‘okina)
- Consonants (with W exceptions) are as in English.
Inside words, W can sound like V
- P and k have a softer sound with less aspiration
- The glottal stop ( ‘ ) ‘okina is a short sound break in the word
Vowels are pronounced the same way every time.
A macron ( ¯ ) over a vowel extends the sound.
o a makes a short “ah” sound like the a in “above”
o e makes an “eh” sound like the e in “let”
o i makes an “e” sound like the e in “easy”
o o makes a short “oh” sound like the o in “pole”
o u makes an “oo” sound like the oo in “moo”
Note - Hawaiian is often written in all lowercase
Aloha Oe (Farewell to You)
Words and music by Queen (then Princess) Liliʻuokalani, 1878
Proudly swept the rain cloud by the cliffs
As it glided through the trees
It seems to be following the liku, the ʻahihi lehua of the vale
Aloha ʻoe, aloha ʻoe, e ke onaona noho ika lipo
(Farewell to thee, farewell to thee,
the charming one who dwells in the shaded bowers)
One fond embrace, before I now depart, until we meet again
Sweet memories come back to me
Bringing fresh remembrances of the past
Dearest one, yes, you are mine own
From you, true love shall never depart
Aloha ʻoe, aloha ʻoe, e ke onaona noho ika lipo
One fond embrace, before I now depart, until we meet again
I have seen and watched your loveliness, the sweet rose of Maunawili
And 'tis there the birds of love dwell, and sip the honey from your lips
Aloha ʻoe, aloha ʻoe, e ke onaona noho ika lipo
One fond embrace, before I now depart, until we meet again
One fond embrace, before I now depart, until we meet again
Pearly Shells – Words W. Edwards/L. Prober
Words set to trad. Hawaiian song ‘Pupu a ‘o ‘Ewa’ 1962
Pearly Shells (pearly shells) from the ocean (from the ocean)
Shining in the sun (shining in the sun),
Covering up the shore (covering up the shore)
When I see them (when I see them)
My heart tells me that I love you
More than all the little pearly shells
For every grain of sand upon the beach, I’ve got a kiss for you
And I've got more left over, for each star, that twinkles in the blue
Pearly Shells (pearly shells) from the ocean (from the ocean)
Shining in the sun (shining in the sun)
Covering up the shore (covering up the shore)
When I see them (when I see them)
My heart tells me that I love you
More than all the little pearly shells
For every grain of sand upon the beach, I’ve got a kiss for you
And I've got more left over, for each star, that twinkles in the blue
Pearly Shells (pearly shells) from the ocean (from the ocean)
Shining in the sun (shining in the sun)
Covering up the shore (covering up the shore)
When I see them (when I see them)
My heart tells me that I love you
More than all the little pearly shells
ore than all the little pearly shells
Tiny Bubbles – Words and music by Leon Pober, 1966
Tiny bubbles (tiny bubbles), in the wine (in the wine)
Make me happy (make me happy), make me feel fine (make me feel fine)
Tiny bubbles (tiny bubbles), make me warm all over
With a feeling that I'm gonna love you till the end of time
So here's to the golden moon, and here's to the silver sea
And mostly here's a toast to you and me
Tiny bubbles (tiny bubbles), in the wine (in the wine)
Make me happy (make me happy), make me feel fine (make me feel fine)
Tiny bubbles (tiny bubbles), make me warm all over
With a feeling that I'm gonna love you till the end of time
So here's to the ginger lei, I give to you today
And here's a kiss that will not fade away
Tiny bubbles (tiny bubbles), in the wine (in the wine)
Make me happy (make me happy), make me feel fine (make me feel fine)
Tiny bubbles (tiny bubbles), make me warm all over
With a feeling that I'm gonna love you till the end of time
With a feeling that I'm gonna love you till the end of time
Island Style – words and music by John Cruz
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
Mama's in the kitchen cooking dinner real nice
Beef stew on the stove, lomi salmon with the ice
We eat and drink and we sing all day
Kanikapila in the old Hawaiian way
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
Yeah, we go grandma's house on the weekend clean yard
If we no go, grandma gotta work hard
You know my grandma, she like the poi real sour
I love my grandma every minute, every hour
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
On the Island, we do it Island style
From the mountain to the ocean, from the windward to the leeward side
Over the Rainbow / What a Wonderful World
as sung by Israel Kamakawiwoʻole
Original songwriters Harold Arlen / Edgar Yipsel Harburg
Somewhere over the rainbow, way up high
And the dreams that you dream of once in a lullaby
Somewhere over the rainbow, blue birds fly
And the dreams that you dream of, dreams really do come true
Someday I'll wish upon a star
And wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney tops, that's where you'll find me
Somewhere over the rainbow, blue birds fly
And the dreams that you dare to,
Why, oh, why can't I?
Well, I see trees of green, and red roses too
I'll watch them bloom for me and you
And I think to myself, what a wonderful world
Well, I see skies of blue, and I see clouds of white
And the brightness of day, I like the dark
And I think to myself, what a wonderful world
The colors of the rainbow, so pretty in the sky
Are also on the faces of people passing by
I see friends shaking hands, saying, "How do you do?",
They're really saying, "I, I love you"
I hear babies cry and I watch them grow, they'll learn much more
Than we'll ever know, and I think to myself
What a wonderful world, world
Someday I'll wish upon a star
And wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top, that's where, you'll find me
Somewhere over the rainbow, way up high
And the dream that you dare to
Why, oh, why can't I
I will be skimming the surface of the uses of ukulele in therapeutic music and music therapy. If you would like to know more, there are links to readings and websites in the references section below.
So, What is Therapeutic Ukulele?
My own definition is that therapeutic ukulele is “The learning, playing, and sharing of music on the ukulele to promote and enhance the quality of life of the player(s), listener(s), and community through the spirit of shared aloha.”
Differences Between Therapeutic Music (Ukulele) and Music Therapy
According to caregiving.com, music therapy is provided by a board-certified therapist (MT-BC) to work on individualized health goals. In contrast, therapeutic music is the prescriptive use of music to promote overall well-being or support general health outcomes. According to the American Music Therapy Association, “Music therapy is an established health profession in which music is used within a therapeutic relationship to address physical, emotional, cognitive, and social needs of individuals.” Music therapists have a bachelor’s or master’s degree in music therapy and must complete 1,200 supervised clinical hours before sitting for the national MT-BC exam. We must also complete 100 hours of continuing education every five years.
Why is the Ukulele an Ideal Instrument for Therapeutic Music and Music Therapy?
The ukulele is a popular instrument for the music therapist, offering many opportunities for creative client involvement and growth. It is attractive, accessible, portable, adaptable, and easy to play, and as we know, the sound of the ukulele invites a spirit of aloha, joy, and coming together. The various sizes of ukulele also allow it to be used with children, teens, adults, and seniors.
Examples of Music Therapy and Therapeutic Ukulele Across the Lifespan
With Hospitalized Children and Teens
Here, the specific type of music therapy is based on an assessment of the patient’s individual needs and is designed to achieve specific goals. The patient’s music preferences are also taken into account. Some clinical goals may include:
· Managing pain
· Adjusting to and normalizing of the hospital environment
· Promoting comfort, relaxation and stress reduction
· Socializing and decreasing feelings of isolation or depression
· Encouraging positive coping and feelings of control
· Providing emotional support and an outlet for emotional expression
· Aiding physical goals and rehabilitation via playing after injury or surgery
The Ukulele Kids Club & Hospitalized Children
One organization that is making a huge difference is the Ukulele Kids Club, founded in 2014 by Corey and Edda Bergman. For a hospital to qualify, they must have a board-certified music therapist on staff. The UKC is currently affiliated with over 365 music therapy sites around the world, including 13 in the greater Los Angeles area. Over 1,400 hospitalized children received a free ukulele in 2023, and over 15,200 kids have been helped by the UKC.
The music therapy programs identify children to receive the free ukuleles and provide music therapy sessions to achieve a variety of health goals. After discharge, UKC helps kids continue their progress via free access to their resource portal, classes, on-demand lessons, and on-line music therapy sessions with the Music Therapy Program at Berklee College of Music. There are also resources for music therapy affiliates and the ukulele community at large. A number of ukulele clubs have also fundraised for and donated instruments to the UKC.
With Children and Teens in Special Education and Mental Health
In an article in the Fall, 2015 issue of Ukulele Magazine titled “Scientific Study Shows Playing Ukulele Benefits Kids’ Attitudes”, the research team shared that 3rd and 4th grade Canadian kids who participated in ukulele lessons had “larger increases in sympathy and pro-social behavior” than those who did not. They credited the ukulele classes with creating a collaborative environment and forming social bonds between children who sang and played together.
I have found great success incorporating ukulele into my clinical work with children and teens with special needs in a number of settings, including residential facilities, clinics, schools, and summer camps. Here, I have used the uke in a number of individual and group settings to address educational, social, emotional, behavioral, physical, and related needs. As with hospitalized children and teens, the uke is attractive to the students, and success-oriented, which is very important. Kids who may be frustrated using a guitar often experience a feeling of success within a single session incorporating the ukulele. In addition, kids who learn on a baritone uke can then transfer fingerings to the top 4 strings of a guitar and later learn the complete chords.
It is helpful that the uke has been featured in popular songs over the years, and is seen by kids and teens as cool – examples include Hey Soul Sister by Train, Riptide by Vance Joy, Disney’s (Someone to) Lava, I’m Yours by Jason Mraz, Count on Me by Bruno Mars, Dwane the Rock Johnson’s playing Wonderful World in Journey 2 the Mysterious Island, and of course Bruddah Iz’s arrangement of Over the Rainbow. Kids and teens often know these songs, many times via their parents (or grandparents).
Supporting Physically Challenged Players of Any Age
Some prospective ukulele players face the challenge of not having fingers, arms, or limited dexterity due to congenital disorders, disease, accident, or surgery. For example, the music therapist at Shriner’s Children’s Hospital near me serves patients recovering from severe burns and orthopedic surgeries. She has shared that the ukulele is attractive to and motivating for them, which provides the incentive to learn to play, regardless of limitations, pain, or discomfort.
To help people with upper arm disabilities, Deb Guarneiri, a ukulele player from Upstate New York invented the Ukulele Support System. This system is customized to meet each person’s special needs. For some with partial arms, there is the cradle system with articulated arm splints. For other players who have more arm but no elbow, there are arm splints with a push button chord changer and waist strap. Still others may have all of their limbs but lack the physical strength or neurological connections to play. For them, Deb designed pick splints that slide onto one or two fingers with a felt pick positioned to strum.
One example of an uke artist who has developed impressive skills is Nick Acosta, who was born with his right arm developed only to the elbow. That hasn’t stopped him from pursuing what that he loves most, playing the ukulele. With guidance from legendary ukulele teacher Roy Sakuma, Acosta has become a prodigious ukulele player and an inspiration to many.
Other Organizations Supporting Therapeutic Ukulele
One of many other examples of therapeutic ukulele applications and organizations is Ukuleles Heal the World, a group of ukulele players in Portland, Maine, founded by Lee Urban who believe in the ukulele’s power to heal. They offer one-week summer ukulele camps to almost every elementary school in their area. The camps not only teach ukulele skills, but life skills like promoting self-esteem. They have said that “If campers live up to the ukulele camp pledge, they will earn the ukulele package of an instrument, gig bag, tuner, and book. Not surprisingly, every one of our kids has earned a ukulele package.”
In the Spring, 2018 issue of Ukulele Magazine, Swedberg shared about the the Heroes Ukulele Group, or HUG, led by veterans and meeting at a Los Angeles VA Campus. It is open to any veteran, their family, families of active service personnel, and any friend who honors and supports our vets and our men and women in uniform. In her article, one HUG member shared “For me it’s a great form of therapy to help me deal with lots of depressing situations that I experienced in the military.”
More About Ukulele for Adults and Seniors
My own work since 2016 has focused on teaching ukulele classes to adults and seniors in a lifelong learning institute associated with a medical school. It has been noted that musical involvement and engagement across the lifespan may promote and foster well being and health. Carr (2016) discussed advantages of the ukulele for seniors, given that there are only four strings and that the hands of older learners may not be as strong or flexible as they once were. D’Ville, in a 2021 article in Ukulele Magazine, pointed out that one advantage of older adult ukulele students is their rich life experience and background of problem-solving. Pattison (2017) suggested that learning the ukulele should be considered by those retiring from the workforce as an accessible and enjoyable leisure skill that can be shared with others. In fact, older adults may benefit from the social aspect of an ukulele class as much as the actual learned ukulele skills. For example, Matto et al. (2021) examined how ukulele classes impacted the well-being of older adults. Focus group themes revealed that the participants felt challenged, but also reported increased confidence and enhanced social connections. Drigans, in a 2022 article in Ukulele Magazine, described the benefits of playing ukulele and singing for seniors, especially those with dementia.
Therapeutic Ukulele in Our Own Lives
The Power of the Group: Ukulele Groups and Therapeutic Community Music
Community music and music therapy consider how individuals, small and large groups, and entire communities can benefit from engagement in music experiences, specifically in relation to their sense of well-being, feeling of belonging, and participation in their communities. Lee and Southcott (2020) explored how ukulele club playing experiences with adults positively influenced their daily lives, resulting in a sense of satisfaction and achievement. As we know, there are hundreds of community ukulele groups in the US (including in the LA area), and many more around the world. D’Ville in 2021 described considerations for starting a community ukulele group in Ukulele Magazine. So, if you are not a member of a group and there is not a group in your area, you can start one yourselves!
Ukuleles for the community to play, check out, and use in ukulele classes are also being featured at an increasing number of public libraries, including cities such as Los Angeles, Santa Monica, and Ventura here in SoCal. The Los Angeles Public Library currently has ukuleles at 18 of the city’s 73 branches.
Rhythmic Entrainment
One phenomenon we have all experienced is the feeling of connection with others while playing in a group, especially when strums and rhythms synchronize. There is a neurological process happening called rhythmic entrainment. As described by Thaut, McIntosh, and Hoemberg in 2014, “Entrainment is defined by a temporal locking process in which one system’s motion (e.g. rhythm) entrains the frequency of another system. This process is a universal phenomenon that can be observed in physical and biological systems.” In playing ukulele and singing together, rhythmic entrainment becomes a process where our rhythms interact and eventually lock into a common phase or periodicity/rhythm (e.g the island strum). Perception and production of auditory rhythms involve the subcortical and cortical brain networks, and rhythmic entrainment is known to play a role in affecting heartbeat, pain reduction and muscle relaxation. Rhythmic entrainment connects individuals with their own body rhythms and also connects them nonverbally with others.
Positive Effects of Singing (Even if We Think We Don’t Have a Good Voice)
We enjoy singing in our ukulele groups as well, and singing can have many positive effects in a number of areas and domains. For our mental health, singing can reduce stress and increase mental alertness, especially when done in a group. It can also help improve memory and concentration by engaging multiple areas of the brain. Singing stimulates the release of endorphins, hormones and neurotransmitters such as dopamine, serotonin, and oxytocin, which can make you feel happier, healthier, and more confident. Singing can improve lung function and cardiovascular health, and for our social connectedness, singing together can help us feel a sense of community and belonging.
Using Ukulele Therapeutically in Our Own Creative Self Care
Many of us incorporate the ukulele into our therapeutic self care, often not even realizing it. We gain respiratory and cardio benefits from singing and playing, and know it can be a physical workout that we enjoy. The ukulele can also be a friend and help us through hard times. An article in the Spring, 2021 issue of Ukulele Magazine was titled “How the Love of Ukulele is Helping People Get Through the Pandemic”. This featured stories from a number of readers as to how the uke helped them during that time. I’m sure many of us here not only played at home, but also connected with others on-line with lessons, performances, and meet-ups.
Ukulele Creates Healthy Vibrations in our Brains and Bodies
In the Winter, 2020 issue of Ukulele Magazine, Eddie Scher, in an article titled “Music as Medicine: 6 Big Ideas to Help Keep You Motivated”, summarized the late neurologist Dr. Oliver Sacks, writing “Music may be so deeply ingrained in us because musical activity involves every part of the brain—the emotional, motor, and cognitive areas. And the positive effects occur whether you’re playing or just listening.” Indeed, research has shown that blood flows more easily when music is played. It can also reduce heart rate, lower blood pressure, decrease cortisol (stress hormone) levels and increase serotonin and endorphin levels in the blood. When one listens to music that gives them the chills (e.g. Iz singing Over the Rainbow), it triggers a release of dopamine, a neurotransmitter that stimulates sensations of pleasure and well-being. As your brain becomes familiar with a particular song, your body may release dopamine upon anticipating or hearing just the first few notes of the song. Music can also increase levels of the hormone oxytocin, which has been shown to decrease stress and anxiety levels. It can also increase feelings of relaxation, trust, and overall psychological stability.
On a final note before our closing music therapy song and questions, one issue I have not addressed is Ukulele Acquisition Syndrome, or UAS. I feel that UAS is actually not a disorder or disease, but rather a lifestyle choice. Therefore, therapy is not needed. My advice is to buy two ukes and jam out in the morning.
References and URL’s
Alvarado, F. Ukulele Kids Club Provides Instrumental Healing. Ukulele Magazine, Winter, 2014. https://ukulelemagazine.com/stories/news/ukulele-kids-club-provides-instrumental-healing
American Music Therapy Association – https://www.musictherapy.org/
Biard, M. A. NMT and the UKC: Using the Ukulele in Patient Rehabilitation, 2024. https://theukc.org/using-the-ukulele-in-patient-rehabilitation/ https://www.caregiving.com/content/Ultimate-Guide-to-Music-Therapy-and-Therapeutic-Music#
Certification Board for Music Therapists - https://www.cbmt.org/
Drigans, P. The Joy of Playing Ukulele for Seniors: How to Get Started with Volunteering. Ukulele Magazine, Spring, 2022. https://ukulelemagazine.com/stories/the-joy-of-playing-ukulele-for-seniors-how-to-get-started-with-volunteering
D’Ville, J. (2018). Building a ukulele club: How to make your group fun, strong, successful. Ukulele Magazine.https://ukulelemagazine.com/stories/news/building-a-ukulele-club-how-to-make-your-group-fun-strong-and-successful
D’Ville, J. Wisdom, Experience, Drive: The Advantages of Being an Adult Beginner. Ukulele Magazine, Spring, 2021. https://ukulelemagazine.com/stories/am-i-too-old-to-learn-ukulele
D’Ville, J. The Healing Ukulele: How People Are Using Ukes to Help Children. Ukulele Magazine, Winter, 2019. https://ukulelemagazine.com/stories/the-healing-ukulele-how-people-are-using-ukes-to-help-children
How the Love of Ukulele is Helping People Get Through the Pandemic. Ukulele Magazine, Spring, 2021. https://ukulelemagazine.com/stories/news/how-the-love-of-ukulele-is-helping-people-get-through-the-pandemic
Krout, R. E. Growing Aloha Through Community Ukulele with Older Adults: Multiple Perspectives. In K. Goodman (Ed.) Developing issues in world music therapy education and training, Charles C. Thomas, 2023. http://www.mys1cloud.com/cct/ebooks/9780398094027.pdf
Krout, R. E. Ukulele Boot Camp. Music Therapy Online.
https://musictherapyonline.org/p/ukulele-boot-camp
Scher, E. Music as Medicine: 6 Big Ideas to Help Keep You Motivated. Ukulele Magazine, Winter, 2020. https://ukulelemagazine.com/stories/music-as-medicine-6-big-ideas-to-help-keep-you-motivated
Scientific Study Shows Playing Ukulele Benefits Kids’ Attitudes. Ukulele Magazine, Fall, 2015.
https://ukulelemagazine.com/stories/news/study-playing-ukulele-benefits-kids-attitudes
Swedberg, H. Heroes Ukulele Group: Helping Veterans, One Strum at a Time. Ukulele Magazine, Spring, 2018.
Ukulele Kids Club - https://theukc.org/
Ukulele Support System for physical challenges - https://www.facebook.com/UkuleleProsthetics/
Ukuleles Heal the World - https://www.facebook.com/ukuleleshealtheworld
Additional References
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Carr, J. (2016). Ukulele for seniors. Mel Bay Publications.
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Eastburn, K. (2019). Making a strum-back. Coast Monthly, December, pp. 78-81.
Giebelhausen, R. (2016). So, you’re thinking about starting a ukulele program? General Music Today. 29(3), 38–41. https://doi:10.1177/1048371315625294
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Got A Ukulele (2021). Ukulele clubs and societies. https://www.gotaukulele.com/p/ukulele-clubs-and-societies.html
Gracida, L. S. (2018). 5 reasons why ukuleles are great instruments for music therapy.https://samsfans.org/5-reasons-why-ukuleles-are-a-great-instrument-for-music therapy/#2_Ukuleles_can_be_used_even_when_the_goal_is_not_to_teach_the_patients_how_to_play
Holmes, S. (2021) The wider cognitive benefits of cognitive engagement in music. In A. Creech, D. A. Hodges, & S. Hallam. (Eds.), pp. 51-67. Routledge international handbook of music psychology in education and the community. Routledge.
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IMHope (2022). “Fountains of uke” intergenerational music program.
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Krout, R. E. (2015). Music therapy community-based clinical learning experiences here and abroad: A focus on community engagement. In K. Goodman (Ed.), International perspectives in music therapy education and training: Adapting to a changing world, pp. 103-129. Charles C Thomas.
Krout, R. E. (2021). Ukulele boot camp: essential starting points for a sound approach Music Therapy Online. https://musictherapyonline.org/p/ukulele-boot-camp
Kruse, N. B. (2013). 'Without u, it's just kulele': expressions of leisure and 'ohana in an intergenerational ukulele club. International Journal of Community Music, 6(2), pp. 153-167. https://doi: 10.1386/ijcm.6.2.153_1
Lee, A., & Southcott, J. (2020). The ukulele experiences: leisure and positive ageing in Taiwan. International Journal of Community Music, 13(3), pp. 319-331.
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Lee, W. (2016). Ukulele groups strike a chord with sections. The San Francisco chronicle, November 27. https://www.sfchronicle.com/business/article/Ukuleles-strike-a-chord-with-seniors-10636655.php.
Matto, H. C., Ihara, E. S., Tompkins, C., McNeil, K. Lopez-Piper, A., Eber, M., . .
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Moss, H. Lee, S., Clifford, A. M., Bhriain, O. N., & O'Neill, D. (2021). Together in song: Designing a singing for health group intervention for older people living in the community. Nordic Journal of Music Therapy, pp. 1-18. https:// doi: 10.1080/08098131.2021.2004613
Negrete, B. (2021). Ukulele class in the neonatal intensive care unit: support for parents before and during COVID-19. Pediatric Nursing, 47 (2), pp. 97-103.
https://link.gale.com/apps/doc/A665178075/ITOF?u=txshracd2548&sid=bookmark-ITOF&xid=1ed828e9
O’Grady, L., & McFerran, K. (2007). Community music therapy and its relationship to community music: where does it end? Nordic Journal of Music Therapy, 16(1) 2007, pp. 14-26. https://doi: 10.1080/08098130709478170
Pattison, K. (2017). Retire - get a ukulele: a tongue-in-cheek version of what occurred when a bunch of uke loving seniors formed a ukulele group to 'entertain' their local community. Kelvin Pattinson.
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Peters, V., Seabrook, D., & Higgins, L. (2021). Researching the musical lifecourse in music therapy, community music and music education: unique roles, convergences and blurring of philosophies and practices. International journal of community music,14 (1), pp. 21-40. https://doi: 10.1386/ijcm_00036_1
Rosado, A. (2019). Adolescents’ experiences of music therapy in an inpatient crisis stabilization unit. Music Therapy Perspectives, 37(2), pp. 133-140.
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